WILD TAPESTRY: A Collaboration of Art and Words Week Four

WILD TAPESTRY May 4th to 28th at David Kaye Gallery



Here we are in week four. I just came from the gallery where I saw how beautifully David Kaye has installed the thirteen pieces for WILD TAPESTRY. The show opens tomorrow and many are expected at the Saturday’s reception. I am hoping for good weather so all can visit in comfort. Here is Margi’s final essay about Wild Tapestry: Weaving Wildlife Survival.

It’s not often a writer has the opportunity to collaborate beyond the realm of words. I love words—the thin black scratches on a sea of white paper that communicate so much. They are part of my soul, but I know their effect can be limited by the mood of the reader.
This collaboration between a visual artist and a writer is personally exciting because art and words have merged together to deepen interpretation through a wilderness of colour, texture and narrative.
While sitting at my desk overlooking an Australian landscape of golden fields and grazing kangaroos, accentuated by the warble of magpies calling their young, Susan has been developing her work in the urban landscape of downtown Toronto. Here on the shores of Lake Ontario cardinals, robins and woodpeckers nest in trees and colourful mallards glide on the lake. The species might be different, but we are connected by a shared concern for our planet and our wild kin.
Susan’s artwork has taken the theme of Wild Tapestry and given it beautiful, inspiring, physical form.

Margi Prideaux
May 2017


WILD TAPESTRY: Collaboration of Art and Words Week Three

WILD TAPESTRY May 4th to 28th at David Kaye Gallery



Here is Margi’s third essay concerning the future Wild Tapestry:Weaving Wildlife Survival.

As I got rather wordy last week I will not comment and  let you read Margi and add more work for the show. Week three is almost over but I have been busy finishing … apologies for lateness !!

There are few relationships so closely bonded as that of human and Rangifer tarandus—caribou or reindeer. These magnificent species are native to arctic, subarctic, tundra, boreal, and mountainous regions of northern Europe, Siberia, and North America.
As summer approaches, many caribou herds of North America head north in one of the world’s great large-animal migrations. They may travel six hundred miles, or more, along ancient annual routes to a journeys end of summer feeding on the abundant tundra. When the first snow falls each year, they turn south again and complete their migration to spend the winter in more sheltered climes.
Cloistered in our cities and towns we are disconnected from the venerable bond that remains tangible and real for communities across the northern reaches of the world. Massive herds of these gentle animals have provided food, shelter, transport and a harbinger of seasonal change for generations of Saami, Nenets, Khants, Evenks, Yukaghirs, Chukchi, and Koryaks in Eurasia, First Nations of Canada, and Kalaallit of Greenland.
These peoples have followed, observed and hunted the caribou and reindeer for millennia.  Caribou and reindeer are the source of inspiration, hope and belief for many still. And, in the past two or three generations they have witnessed massive changes as caribou and reindeer territories fragment and shrink in the face of industrial human growth.
The modern world has ignored the wealth of knowledge that local peoples hold about caribou, reindeer and thousands of other species across the world. It is time for their ancient, wise stories to be core to the wild tapestry of future decisions.